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A Re-evaluation of
the Journal of Whills Part II
Back in March when the news first broke I
posted a brief article
detailing the discovery of a Star
Wars
story that predates the May 1973
synopsis,called The Journal of the Whills,
finally shedding light on a piece of writing that has caused many
Star Wars scholars endless headaches. This news was part of
an article in issue 92 of Star Wars Insider, and was a
result of J.W. Rinzler's upcoming book; the magazine granted us only
brief information, but Rinzler's book thankfully goes into
substantial detail about the document, and provides us with quotes
(though not the entire treatment, brief in length as it is). To sum
up things for those still in the dark,
Lucas first tried
writing a space opera by penning a
short, two-page plot summary called Journal
of the Whills, which details the adventure of a young man named
CJ. Thorpe who trains at a space academy to become a Jedi Bendu
warrior and is granted an apprenticeship to the legendary Mace
Windy. The summary was thought to be confusing and convoluted, so
Lucas started over from scratch by adapting Kurosawa's Hidden
Fortress
for the May 1973 treatment,
givingus the basis for the rough draft, which also
used a few elements from the Journal of the Whills. I
promised a more detailed update once Rinzler's book filled us in on
the details so this is it. The current revision of The Secret
History of Star Wars has all the known information about this
document and the process of its creation. Below is an excerpt which
details the Journal of the Whills
:
In
January of 1973, Lucas began working on story material. He wanted to
have a comic-book-like feel to the story that recalled the great
pulp space opera works like E.E. Smith’s Skylark of Space, but had
trouble devising an actual story. To jog his mind, he began by
brainstorming exotic names that he could use for characters and
planets, almost in a free-association manner, simply to develop the
sort of bizarre atmosphere and far-out style that he was looking
for. The first name is “Emperor Ford Xerxes XII” (Xerxes being a
Persian king who invaded ancient Greece), which was followed by
“Xenos, Thorpe, Roland, Monroe, Lars, Kane, Hayden, Crispin, Leila,
Zena, Owen, Mace, Wan, Star, Bail, Biggs, Bligh, Cain, Clegg, Fleet,
Valorum.”[i] He started combining
first and last names and fleshing out their purpose and
characterisation: Alexander Xerxes XII is the “Emperor of Decarte,”
Owen Lars is an “Imperial General,” Han Solo is “leader of the
Hubble people,” Mace Windy a “Jedi-Bendu”, C.2. Thorpe is a space
pilot, while Anakin Starkiller is “King of Bebers” and Luke
Skywalker “Prince of Bebers.” He came up with planets such as
“Yoshiro” and “Aquilae” the desert planets, “Norton III” an ice
planet, and “Yavin” is a jungle world with its native
eight-foot-tall Wookies.
Having
bombarded himself with such an exotically alien ambiance he finally
attempted to construct a story. What he ended up with was a vague
two pages of a hand-written plot summary with the curious title Journal of the Whills; it
opened with the convoluted line, “This is the story of Mace Windy, a
revered Jedi-Bendu of Opuchi, as related to us by C.J Thape,
padawaan learner to the famed Jedi.” In the brief plot outline, Mace
Windy is a “Jedi-Bendu” or “Jedi-Templer,” a vague sci-fi adaptation
of a space superhero crossed with a samurai. Windy takes on an
apprentice, CJ Thorpe, who narrates the story retrospectively in the
first person. The tale is uncharacteristically literary in prose,
and is divided into two parts, headed with “I” and “II”
respectively, Part I being Thrope’s training and Part II being his
first mission. J.W. Rinzler describes it:
“The
initials C.J. or C.2. (it switches back and
forth) stand for ‘Chuiee Two Thorpe of Kissel. My father is Han
Dardell Thorpe, chief pilot of the renown galactic cruiser Tarnack.’ At the age of
sixteen Chuiee enters the ‘exalted Intersystems Academy to train as a potential
Jedi-Templer. It is here that I became padawaan learner to the great
Mace Windy…at that time, Warlord to the Chairman of the Alliance of
Independent Systems…Some felt that he was more powerful than the
Imperial leader of the Galactic Empire…Ironically, it was his own
comrades’ fear…that led to his replacement…and expulsion from the
royal forces.’
After Windy’s dismissal, Chuiee begs to stay
in his service ‘until I had finished my education.’ Part II takes up the story:
‘It was four years later that our greatest adventure began. We were
guardians on a shipment of fusion portables to Yavin, when we were
summoned to the desolate second planet of Yoshiro by a mysterious
courier from the Chairman of the Alliance.’ At this
point Lucas’s first space-fantasy narrative trails off…”[ii]
This plot summary has
little relation to the final product, but contains a few elements
which would be later incorporated into the screenplays, such as the
phonetics of “Chuiee” (“Chewie”), a pilot named Han, a galactic
Empire, a space academy, and intergalactic superheroes named
Jedi.
Lucas
took this summary to his agent, Jeff Berg, for an
opinion—unsurprisingly, Berg was left utterly confounded at the
incomprehensible story and recommended Lucas try something simpler.
“I knew more about the story based on what George had told me than
what was in that brief treatment.”[iii] Frustrated, Lucas began
anew.
[i] The Making of Star
Wars, J.W.
Rinzler, 2007, p. 8
[ii] Making of Star Wars, Rinzler, p.
8
There is also a second Journal of the Whills of sorts,
which Lucas developed out of this plot summary--he called this
summary Journal of the Whills because he wanted to
connote the feeling of a chapter taken from a larger chronicle. The
screenplay drafts would be subtitled"from the Journal of the Whills," and some
drafts even opened with a Bible-like quote of prophecy from
this Journal. This conception of a Journal of the Whills never
existed however, and was merely a storytelling device used to place
Star Wars in a grander narrative context; the Journal of
the Whills opening quote was eventually replaced with the "A long
time ago" line which accomplishes a similar objective of placing the
film in a larger storytelling framing. This aspect is covered
extensively in Appendix A of The Secret History of Star
Wars.
05/31/07
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