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Hollywood legends and film makers lobby against colorizing the classics; [4 STAR Edition]

Abstract (Summary)

Media entrepreneur Ted Turner has led the colorization field, releasing computer-colored versions of such classics as ``Casablanca ''and [James Stewart]'s ``It's a Wonderful Life.''

The two were joined in their rounds by directors Peter Bogdanovich, Fred Zinneman and several other top American film makers. The Hollywood push for legislation included testimony before a congressional committee two weeks ago by directors Steven Spielberg and George Lucas.

Full Text

 
(248  words)
Copyright Houston Chronicle Publishing Company Division, The Hearst Corporation (the "Houston Chronicle") Mar 16, 1988

WASHINGTON - Burt Lancaster was the fast-talking tough guy, James Stewart his drawling partner with homespun common sense as they rode into town to fight for a principle - only this time it was real life, not a movie.

The two Hollywood legends began a two-day whirl of lobbying in Congress and on television talk shows Tuesday to plead for the preservation of their film classics against modern moguls out to ``make a buck.''

Lancaster shook his finger at a packed room, arguing passionately for a halt to the controversial coloring of black and white films.

Media entrepreneur Ted Turner has led the colorization field, releasing computer-colored versions of such classics as ``Casablanca ''and Stewart's ``It's a Wonderful Life.''

``All of this is done for them to make a buck,'' said Lancaster. ``Let them go out and make an honest buck.''

Stewart said in his halting cadence that he agreed with Lancaster, ``but for me to say the same thing would take so very much longer, I better not say it.''

The two were joined in their rounds by directors Peter Bogdanovich, Fred Zinneman and several other top American film makers. The Hollywood push for legislation included testimony before a congressional committee two weeks ago by directors Steven Spielberg and George Lucas.

Stewart said he came to Washington because he was appalled by the colorization of Frank Capra's ``It's a Wonderful Life,'' after Turner bought the rights to the movie.

[Illustration]
Photo: James Stewart, Burt Lancaster; Credit: Associated Press

Indexing (document details)

Dateline:WASHINGTON
Section:1
Publication title:Houston Chronicle (pre-1997 Fulltext). Houston, Tex.: Mar 16, 1988.  pg. 8
Source type:Newspaper
ISSN:10747109
ProQuest document ID:63744100
Text Word Count248
Document URL:http://proquest.umi.com/pqdweb?did=63744100&Fmt=3&clientId=9269&RQT=309&VName=PQD

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